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nightmarebrunette:

I came across this picture reproduced in an old New Yorker. In print, the color was far richer and the shading on the jaw of the mane-less horse was perfect. (There’s a slightly better shot here.) 
Judith Thurman writes, of the Neanderthals ceding their land to Homo Sapiens: “[T]he arts of the newcomers must have impressed them. Later Neanderthal campsites have yielded some rings and awls carved from ivory […] nothing of the like predates the arrival of Homo Sapiens. The pathos of their workmanship—the attempt to copy something novel and marvelous by the dimming light of their existence—nearly makes you weep. And here, perhaps, the cruel notion that we call fashion, a coded expression of rivalry and desire, was born.” 
Rivalry and desire. Writing this perfect and art this astounding can arouse the same dynamic, and it’s a bit heartbreaking and exhilarating regardless of the source. Sometimes I feel terribly unimaginative for exclusively posting on the erotic when the thought of an aspirational Neanderthal can be just as powerful, yet far less obvious. But it’s all about the same thing, isn’t it? Sex, art, the sharing of either, or both? It’s the attempt to bring yourself or others into a moment of beauty, however crude or temporary that beauty may be. 

nightmarebrunette:

I came across this picture reproduced in an old New Yorker. In print, the color was far richer and the shading on the jaw of the mane-less horse was perfect. (There’s a slightly better shot here.) 

Judith Thurman writes, of the Neanderthals ceding their land to Homo Sapiens: “[T]he arts of the newcomers must have impressed them. Later Neanderthal campsites have yielded some rings and awls carved from ivory […] nothing of the like predates the arrival of Homo Sapiens. The pathos of their workmanship—the attempt to copy something novel and marvelous by the dimming light of their existence—nearly makes you weep. And here, perhaps, the cruel notion that we call fashion, a coded expression of rivalry and desire, was born.” 

Rivalry and desire. Writing this perfect and art this astounding can arouse the same dynamic, and it’s a bit heartbreaking and exhilarating regardless of the source. Sometimes I feel terribly unimaginative for exclusively posting on the erotic when the thought of an aspirational Neanderthal can be just as powerful, yet far less obvious. But it’s all about the same thing, isn’t it? Sex, art, the sharing of either, or both? It’s the attempt to bring yourself or others into a moment of beauty, however crude or temporary that beauty may be. 

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tulletulle:

missworld:

mayaslinklings:

Zerlina L. Maxwell asks why the media coverage of the Mel Gibson scandal (dear god, have you listened to those audio recordings yet?) hasn’t focused on the main problem: domestic violence.

What has been overlooked in almost every single report of that incident is why Grigorieva was tape recording Gibson in the first place. She needed proof. Proof that Mel Gibson was abusive to her not only emotionally, but physically. She had already provided dental records in their custody fight to prove that he knocked her teeth out but Grigorieva still felt she needed more evidence to show the court that Gibson is much more than just politically incorrect, he’s dangerous. Why is it that the detail about Gibson knocking Grigorieva’s teeth out was literally a throwaway line at the very end of an article with a splashy headline detailing his latest racist diatribe? Why did it take so long for them to launch a formal investigation into his abuse?

For a perfect example of this, in his latest column David Brooks manages to avoid mentioning domestic abuse at all as he diagnoses Gibson as a “modern narcissist” and tries to tie his unbelievably misogynist attacks and text-book domestic abuser tactics to a national trend of “self-esteem inflation.” Brooks points out 6.2 percent of Americans suffer from Narcissistic Personality Disorder. Ok, fine. And 3 million American women are abused each year. How is that not a more relevant stat?

I mean, is it just because he throws in random references to the “Iliad” that this guy gets to write for the New York Times?

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I keep trying to write stories that in actuality either start or end on the computer (because, let’s be honest! i can’t write a sex book without the internet!) and find myself looking for a better way to portray that interaction and I’m wondering when we will admit this part of our lives in art in…

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(via art-or-porn)

Hah. I would be the one in the middle.

(via art-or-porn)

Hah. I would be the one in the middle.

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genderqueer:

(source)

There is just something about the butch-look that lights my fire.

genderqueer:

(source)

There is just something about the butch-look that lights my fire.

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rosesbite:

(i dont understand sexy)


This one is. 

rosesbite:

(i dont understand sexy)

This one is. 

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genderqueer:

tiredofbeingignored:

nudiemuse:

I have no interest in getting married but I love weddings and hearing those vows and knowing full well how much this means to these folks brought happy tears to my eyes.

“The arch of the universe is long and bends toward justice. But today, and every day, the arch of my love is longer and bends toward you. “